It can be simulated with a short 40-50ms digital delay with one repeat, like this: PARALLEL MIXING DELAYS - Stacking one delay after another in your signal chain can degrade your tone because your original signal travels through, and is altered by, two delay circuits before coming out the other end. HOW DO I REPLICATE THAT SMOOTH GILMOUR DELAY SOUND? second solo: 460ms -- feedback: 5-7 repeats, Dogs: 1. When I'm recording I'll often set them in tempo to the track, so although they are just acting as an echo, the echo is rhythmic in away and has a triplet and the 4/4 beat in it. A Great Day For Freedom - Pulse version (TC2290 Digital Delay): Another Brick in the Wall Part II (live): Any Colour You Like - 1994 live versions: Astronomy Domine - Pulse version (MXR Digital Delay System II for solo). BREATHE and GREAT GIG IN THE SKY SLIDE GUITAR VOLUME SWELLS - Breathe from Dark Side of the Moon features some beautiful David Gilmour slide guitar work. There are several modern Echorec style pedals, including a few with more accurate playback head controls than the Catalinbread, but the Cat Echorec is a fairly no nonsense, simple to use version that sounds great. 234ms and 150ms also works. Those are not the type of parallel setup we are talking about here. That equates to 250 - 240ms. Although it is not often that this roll-off effect was heard in David's use of the Echorec, you can clearly hear it in the echo repeats in the very beginning of the song One of These Days from Pink Floyd's Meddle album in 1971. - David Gilmour from Guitar for the Practicing Musician, 1985. It features two separate bass guitar tracks played in time with a single head delay (head 4) from the Echorec. solos: 440ms -- feedback: 7-8 repeats - delay level: 15% -- delay type: analog The long delay, and multi tracked guitars add to the smooth, lquid feel of the notes. - Phil Taylor, David's backline tech. I use the MXR with the read-out on it, so I instantly have the right tempo. The level or volume knob would be set to maximum on most delays for this. second solo: 480ms -- feedback: 6-7 repeats E.g the RATE for most settings had been about 22 more clockwise (slightly faster sweep) on the Wall compared to the Animals tour. Breathe Intro Using One Delay - One 440ms delay with 4-5 repeats also works well. The delay time must also be precisely in time with the song tempo. Below is an example of me using an Echorec style delay in a cover of Pink Floyd's 1969 song Dramatic Theme form the More album. volume swells: 1100ms -- feedback: 4-5 repeats. With regards to the actual sound of the echo repeats, there are essentially two types of delays - analog and digital. Why is that important? 560ms: feedback: 7-8 repeats - delay level: 25% -- delay type: clear digital, Sorrow Solo - Strat Pack version: delay 2: 254ms -- feedback 1-2 repeats - delay level: 55% -- delay type: digital delay 2 alternate: 90ms -- feedback 1-2 repeats - delay level: 55% -- delay type: digital, Run Like Hell - Delicate Sound of Thunder and Pulse - two delays in series (TC 2290 Digital Delay for main delay + 2290 ADT effect): Great Gig Slide Guitar Breakdown, Here's another, starting with the dry guitar in the left channel, then the right channel with the 440ms delay. He also used an Echorec PE 603 model from 1971-75 that had a maximum delay time of around 377-380ms. I list a number when I can clearly hear them, otherwise 4-5 repeats is usually close. The mode should always be set at 800ms, unless you want a short slapback delay for something like the dry solo in Dogs. You can use two delays in series (one after the other) or in parallel (each in a seprate signal path) to get David's multi-head Echorec style repeats. Mar 8, 2013. One of These Days - gated tremolo section isolated. The 3/4 "triplet" time will be inbetween in between these 4/4 and 2/4 settings on your delay. verse, solos: 450ms, Learning To Fly - Pulse version: The Echorec 2 had a 12 position switch to select among various combinations of heads. The repeats are bright and shimmery but not brighter than the original signal. 650ms: feedback: 7-8 repeats - delay level: 25% -- delay type: clear digital, Sorrow Intro / Outro - Pulse version (TC 2290 Digital Delay): The first Money solo, for example, sounds like it is awash in spring reverb. Digital delays Gilmour used several digital delay units trough time, starting from the Wall in 1979. >> Click to read more <<. HOW TO FIND THE PROPER DELAY TIMES - You can go here for a song-by-song list of Gilmour's delay times, but it is easy to find a delay time that works with a song tempo, even if you can't clearly hear the echo repeats when listening. middle keyboard section: 340ms -- feedback: 8-9 repeats Some duplicate the studio album delay times and some duplicate the live delay times. April 9, 2022. by Joe Nevin. volume swells in verse section after second solo: 540ms and 620ms -- feedback: 4-5 repeats I used a Free the Tone Future Factory delay set for 300ms and long repeats. - Pulse version (TC 2290 Digital Delay): Hey You - Pulse version (TC 2290 Digital Delay): Money solo - studio version - multiple guitar tracks were recorded with different delay times (Binson Echorec 2 and Binson PE603): Money solos - live 1977 version (MXR Digital Delay System I): Money solos- Pulse version (TC2290 Digital Delay): One of These Days studio version (Binson Echorec): One Of These Days - 2015/16 live version: On the Run (The Traveling Section) - early live guitar version from 1972 (Echorec PE 603): On The Turning Away - 1991 live Amnesty International Big 3 O version: On The Turning Away - Pulse version (TC 2290 Digital Delay): Poles Apart - Pulse version (TC 2290 Digital Delay): Rattle That Lock - 2016/15 Live version: Run Like Hell - two guitars multi-tracked (delay used was likely the MXR M113 Digital Delay): Run Like Hell - 1984 live versions - two delays in series, each with a different delay time (MXR M113 Digital Delay and Boss DD-2): Run Like Hell - Delicate Sound of Thunder and Pulse - two delays in series (TC 2290 Digital Delay for main delay + 2290 ADT effect): Shine On You Crazy Diamond I-V (Binson Echorec): Shine On You Crazy Diamond VI-IX (Binson Echorec): Shine On You Crazy Diamond I-V - 1987-89 live version: Shine On You Crazy Diamond I-V - 1994 live / Pulse version (TC 2290 Digital Delay): Shine On You Crazy Diamond I-V Syds theme - 2016/15 Live version: Short and Sweet - David Gilmour live 1984 version (Boss DD-2): Sorrow Solo and intro/outro - Delicate Sound of Thunder version (TC 2290 Digital Delay): Sorrow Intro / Outro - Pulse version (TC 2290 Digital Delay): Sorrow Solo - Pulse version (TC 2290 Digital Delay): Time - Pulse version (TC 2290 Digital Delay): Time - Delicate Sound of Thunder version (TC 2290 Digital Delay) : Us and Them - Pulse version (TC 2290 Digital Delay): *While I did a ton of work figuring out many of these delay times, a big thanks goes to Raf and the fine folks at the. For the studio albums however, there is definitely reverb in many of the recordings, and in some cases much more so than delay. The Echorec 2 had six knobs - INPUT CONTROL (volume), LENGTH OF SWELL (number of repeats), VOLUME OF SWELL (volume of repeats), BASS/TREBLE (tone knob for the repeats), a three position SELECTOR knob, and a SWITCH knob that selected various combinations of the four playback heads. second solo: 640ms -- feedback: 6-7 repeats Treble: 4-5. This way the echo repeat from one delay is not repeating the echo repeat of the other, and the original guitar signal is kept pristine rather than altered by going through two different delays. Below are a few of the rare examples of David using the Echorec in multi-head mode from 1973 and 1975. You might be tempted to make it ear piercingly loud, but trust me on this, a little goes a long way, especially when playing with other people. This was most likely a reel-to reel recorder set up for a tape-loop delay. alternate: 380ms, High Hopes - 2015/16 live version: Set the value to quarter notes, enter the BPM, and you have a delay time in milliseconds the same tempo as the song. Let's see some of the units he used over time. But delay is not the only effect that Gilmour tends to use. The other output went to a Sound-on-Sound interface built into David's rack, which fed a second Hiwatt amp and 4x12 speaker cabinet. And lastly, youll want to mix it surprisingly quietly. This obviously means that a lot of guitarists want to be like him. Here is a clip of a single 330ms delay playing the Blue Light riff. In the studio recording the 4/4 delay is not very obvious, so it was low in the mix, possibly only in one channel, or both. The 4/4 delay can barely be heard on the studio recording and is really not necessary, but it is fun to experiment with two delays. David used his Workmate Esquire guitar for the studio recording, and usually used a Telecaster when playing it live. Find the proper delay time for the song as described above, then let's do some "Echorec math". delay 2 time: 360ms, Us and Them - Pulse version (TC 2290 Digital Delay): He began using digital delays in place of the Echorec around 1977. As technology was progressing, the use of rack effects units became more and more efficient. The third solo is also artificially double tracked, which you can simulate with a short 60-90ms slapback delay with one repeat. 360ms -- feedback: 8 repeats -- delay level 100% -- delay type: digital, Great Gig in the Sky - live version It helps to have a delay with a digital display to set the exact delay time. DELAY SETTINGS - Some of Gilmour's most commonly used delay times are 300, 380, 440, 480, 540, and 630ms. HOW DO I REPLICATE THAT SMOOTH GILMOUR DELAY SOUND? Getting an original Binson Echorec these days is nearly impossible. Dan's Pick No.1: Pro-Co RAT (79) David Gilmour, or Dave to his friends, has had a constant development of tone over the four decades he's been knocking around making classic album after classic album. The Echorec was an old school mechanical delay that utilized a spinning drum disk wrapped in magnetic recording wire rather than magnetic tape. If you don't have a delay with a millisecond display, it is still possible to find the proper 3/4 delay time in a 4/4 time signature. The first delay is 380ms, 10-12 repeats, delay voume 95%. For example, take 450ms divided by 3 = 150ms. 630ms: feedback: 7-8 repeats - delay level: 30% -- delay type: clear digital, Sorrow Solo - Pulse version (TC 2290 Digital Delay): A 300ms and 380ms delay had the heads repeating in these specific delay times. Below is a link to a song-by-song list of Gilmour's delay settings, compiled from measuring the echo repeats in official releases and bootlegs of live recordings, and from delay times visible on the LCDs of his digital delays. Below is an example from 2016 of David Gilmour using three delays to simulate the Echorec sound in Time. Listening to this track helped me realize how delay and reverb trails interact with what I'm playing in a way that makes unintended diads that could . Sort of a triplet on top of a triplet time delay. In the 80s and 90s David would mostly use digital rack models such as the TC Electronic 2290. Use the feedback option to set it right where you think it sounds closest. Instead, it used a metal recording wheel. analog gear was not as good as digital at the time, so the belief that analog is always better than digital arose. It's just like the old Echoplex unit, David bought an Echorec PE 603 model in 1971 that had a maximum delay time of around 377-380ms. WHY CAN'T I HEAR THE ECHO REPEATS IN SOME GILMOUR/PINK FLOYD SOLOS? Then I play the bass rhythm clean, then with the effects on. Mids: 6-7. Below are examples from 2016 of David using three digital delays in series for Syd's theme from performances of Shine of You Crazy Diamond. Then go to a website with a Delay Time Calculator, like the one on this page. The original band demo, heard in The Wall Immersion Set, has a much bouncier, more disco-like feel, so I think the 4/4 delay is much more prominent in that mix. I use the MXR Digital Delay. The delay time must also be precisely in time with the song tempo. David's T7E and PE603 Echorecs, and even the stock Echoplexes at the time, were not capable of anything even close to that length of delay. delay 2 time: 1100ms -- feedback: 1 repeat - delay level: 10% -- delay type: warm digital, Today - 2016/15 live version: If your delay does not have a dry defeat feature, it is pointless to use in a parallel setup. 650-680ms were occasionally used for long delays. SLAPBACK / ADT DELAY - It is not often, but ocassionally there is what sounds like a short slapback delay in Gilmour's guitar recordings, like the "dry" solo in Dogs from the Animals album. If the repeats are faster than the tempo, increase the delay time. The 3/4 time delay is 380ms and the second 4/4 delay time is 507ms, or one repeat on every quarter note (one beat). As an Amazon Associate, we earn from qualifying purchases. delay 2: 430ms, In Any Tongue - 2015/16 live version: This is the primary delay time you hear in the song.
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